Huge thanks to Marianne Windham and everyone at the Boileroom in Guildford for a brilliant livestream gig last week. If you missed it and would like to watch back, you can buy tix here. And these are a few shots of the soundcheck by Rob Blackham… Full gallery on Guildford Jazz’s Facebook page
Tonight MY IRIS are playing the Boileroom for Guildford Jazz… You can buy tickets to watch this live (7.30pm) here – tix are available until 6pm this evening.
We’ll be mixing in some new material …. CAN’T WAIT! 75 mins set followed by a bit of Q&A – you can send in your questions for us I believe…
Coming up on Wednesday night at 8pm… the Vortex are replaying my gig with Chris Montague and Ross Stanley from September on their YouTube channel. Details here (inc. details on how to donate): http://www.vortexjazz.co.uk/event/trish-clowes-trio-replay/
Here’s a photo of the gig… was soooo amazing to play to a live audience… can’t wait for more of those experiences again. Until then, we hope you enjoy this gig! Tunes by all of us…
Joe Cutler’s new album is out on Birmingham Record Company/NMC Recordings and it features the saxophone concerto he wrote for me to play with the BBC Concert Orchestra (conducted by Ben Palmer, and also featuring Ross Stanley on Hammond… and ukulele). The recording is live, taken from the premiere performance last year at the Queen Elizabeth Hall. It’s been receiving some great coverage… The Times gave it 4 stars, and this how the Guardian described it: ‘Part one is a piece of quizzical, fin-de-siècle romanticism; part two a cartoonish riot; part three a nightmarish slab of dystopian science-fiction, where Clowes’s tenor sax seems to serve as the sole representative of humanity.’ I also take this opportunity to congratulate Joe on being shortlisted for an Ivors Composer Award for this fabulous piece of writing.
You can read more about the album, and purchase it, here.
I might also add, it’s so great to have things like this going on whilst live performances are so rare at the moment… here’s to better times ahead in 2021! 🙂
Tonight you can watch the MY IRIS gig from the London Jazz Festival last month – it also features guest vocalist Lauren Kinsella. This gig felt totally amazing… first full band reunion! Includes a few new tunes too…
Re-stream starts at 8pm! And the link is here: https://www.606club.co.uk/account/videos/606-re-stream-trish-clowes-feat-lauren-kinsella/?f=
Hope you’re able to tune in! 🙂
Orchestra of the Swan have just released a single from their forthcoming album ‘Timelapse’ on Signum Classics … it features me improvising over the top of a slow movement from Vivaldi’s Four Seasons and it is available here: http://smarturl.it/OotSTimelapse
I had a great time recording my part at home, earlier this year during the first lockdown.
I hope you enjoy the results!
You can hear/see more about the process here:
I’ve just released a new solo track on Bandcamp, massive thank you to everyone who has continued to support me and MY IRIS on that platform this year – it is hugely appreciated! I will continue to share new ideas there over the coming months as a bigger project bubbles away behind the scenes.
I’ve just released a new duo track with Ross Stanley on Bandcamp which was recorded just a week or so ago. Feels great to be sharing this 🙂 We hope you enjoy!!
photo by Dannie Price
Tonight at 6pm BST Louise McMonagle will be premiering Round By the Ness, my new piece for solo cello, as part of a concert for Living Room Live. All the info on how to watch the concert is here. The full programme is as follows:
Lutoslawski – Sacher Variation
Ailie Robertson – Skydance
Samantha Fernando – Fault LInie
Trish Clowes – Round by The Ness (world premiere)
Zoe Martlew – Salat Babilya
Programme note for Round By the Ness
Written for Louise McMonagle, in response to images and sounds captured by film-maker Rose Hendry along the East Neuk of Fife coastline, and dedicated to the memory of Alan Ford (lover of all things musical and geological).
As I sat down to write this piece, Rose was sending me images and videos of the coastline, on different days, near where she was staying in Scotland in Spring 2020. I began sketching ideas in response to the way the seaweed moved with the waves, the dancing sunlight or the moody clouds on the horizon, the patterns in the sand, bright orange flowers and darkened rocks. One of the recurring motifs in the piece is a series of microtones, which mimics the birdsong I could hear accompanying the sounds of the sea.
I have worked with Louise for many years, and she is a dear friend. Over time, I have developed a collection of favourite cello techniques that I have thoroughly enjoyed putting into action in this solo cello piece. In particular, I have been inspired by Louise’s performances of Heinz Holliger’s Chaconne, which showcases exceptional cello writing – I have learnt so much from exploring this work.
Some of the images Rose took along the East Neuk of Fife coastline…
I hope you enjoy the concert!! I can’t wait…
I just thought I’d share some things that my ears have been loving recently…
First up is a new album from bassist-composer-producer Michael Olatuja called ‘Lagos Pepper Soup’, available here: https://michaelolatuja.bandcamp.com/
An incredible vision for an album, and soooo much joy. Here’s a video of one of the tracks called ‘Soki’ which features legends Dianne Reeves and Lionel Loueke
Next up is a piece called “i only bite because you make me” by Yshani Perinpanayagam, for piano synchronised to a perfect game of snake. It was written for “The Pixel Players” hosted by Royal Concert Hall Nottingham and the National Videogames Arcade, March 2019. I think this is just a brilliant, inventive piece of writing.
Next one… admittedly I’m a bit biased, this is a video of my good friend Louise McMonagle performing Heinz Holliger’s ‘Chaconne’ for solo cello. I’m writing Louise my own solo piece at the moment, so I’ve been checking out the details of this incredible composition, and Louise’s brilliant performance of it!
Finally, I’ve discovered these amazing string quartets by Eleanor Alberga… These are just EVERYTHING I want to hear in string quartet writing… Happy listening everyone!